Showing posts with label Avant-garde. Show all posts
Showing posts with label Avant-garde. Show all posts

Thursday, 26 August 2010

Epic choonz: David Sylvian & Fantômas

As my first post here for quite some time, I'm gonna give you another one from the more difficult corner of my music collection. This couple of albums that may interest you are, as the title says, 'epic choonz'. In English, these are two albums which are comprised of one insanely long track each. Here we go then...


David Sylvian - When Loud Weather Buffeted Naoshima (2007)


1. When Loud Weather Buffeted Naoshima - 70:23

As the first epic I'm going to leave you with in this post, I'll be tossing a rather nice and very rare David Sylvian piece your way. While you may have heard his voice over some glammed-up new wave in the guise of Japan (probably his most famous work of all), and maybe a song like Red Guitar or Forbidden Colours, you should know that there's a whole different side to his songwriting, that being his various experiments with minimalist ambient music, often with the help of Can's Holger Czukay, the Future Sound Of London or King Crimson's Robert Fripp among others, often by himself. This here, originally commissioned in 2006 as an installation piece by the Fukutake Art Museum Foundation on the island of Naoshima (Japan), is probably about as left-of-centre as Sylvian's work in that (or perhaps any other) field got.

It's hard to describe this album as anything other than the the lame, allmusic-esque words I'll put in the tags regarding this (ambient, avante-garde and minimalist if you want to know), but overall I'd say it's among my favourite of Sylvian's releases. There's no hook that lasts throughout the whole length of the track, as there would be in most other ambient music. It's more of a 70 minute fluctuation of heavily-treated voices, sampled recordings of the environment of Naoshima itself, off-kilter synths, the occasional bursts of distorted guitars or brass, all melded together into one long, very minimalist and chilled whole - just get hold of it, whip out a good book, stick it on and find out for yourself I guess.

Fantômas - Delìrium Còrdia (2004)

1. Theatre Of Operations - 74:17

And as for the second epic I'll be leaving you with, here's one of the more hidden little treasures from Mike Patton's insanely varied musical career - a man I'm sure you've heard of before in some form or other, be it as the lead singer of Faith No More, Peeping Tom, Mr. Bungle or whatever. I haven't had as good a dig around his back-catalogue as I'd like to have done, but from having heard a good propotion of it I can say that, along with Mr. Bungle's mighty Disco Volante, this is probably as 'far out' so to speak as Patton's ever been.

So, like the David Sylvian album above, this is another obscure effort from a famous singer and songwriter and, also like the David Sylvian album above, it's as far removed from the kind of music you'd expect to hear from the famous singer and songwriter in question. Again, there's a lack of any kind of hook to reel you in, but in its place is a much more intense, unsettling and very dark atmosphere, drawing on a diverse range of genres including ambient, drone, metal, easy listening and so on. It's an album-long track with a specific concept as well but in this case, rather than it being something as quaint as the Japanese island of Naoshima as above, the concept is that of surgey without anesthesia (hence the single track's title). It's basically a horror movie soundtrack - one which uses sudden loud noises, nonsensical chants and screams, eerie instrumentations and a very creepy, dark ambient atmosphere to create such a brilliantly intense series of musical movements. It's just a labyrinth of highs, lows, mellow patches, scares etc.

Creepy stuff. Listen to it in the dark and enjoy!

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Saturday, 14 August 2010

Various Artists - Plague Songs (2006)

1. Klashnekoff - Blood (the Plague Of Blood)
2. King Cresote - Relate the Tale (the Plague Of Frogs)
3. Stephin Merrit - The Meaning Of Lice (the Plague Of Lice)
4. Brian Eno & Robert Wyatt - Flies (the Plague Of Flies)
5. Laurie Anderson - The Fifth Plague (the Death Of Livestock)
6. Cody Chesnutt - Boils (the Plague Of Boils)
7. The Tiger Lillies - Hailstones (the Plague Of Hail)
8. Imogen Heap - Glittering Cloud (the Plague Of Locusts)
9. Scott Walker - Darkness (the Plague Of Darkness)
10. Rufus Wainwright - Katonah (the Death Of the Firstborn)

Do you ever wake up some mornings thinking 'boy, I've had a really rotten week. If only I could listen to a concept album about the Biblical plagues! I wonder where one might be able to find such a shining bundle of joy online...'

Well, wonder no more, as it gives me something resembling great pleasure to give you the 4AD label's Plague Songs compilation! With each song initially commissioned by the arts organisation Artangel for the Margate Exodus on September 30th 2006 - an installation in Margate (Kent) that re-told the Book Of Exodus via the media of painting, sculpting, film and, apparently, music. This here is the musical portion of the installation, telling as it does of the ten plagues of Egypt in the original Biblical order. Some time after the installation, evidently 4AD thought it'd be a good idea to compile each of the ten songs commissioned for the installation and release them.

And a good idea it indeed was. I'm no Bible nut (true, I was baptised a Roman Catholic, but that was just so my parents could get me into a Catholic state school), but this album is still immensely cool, partly because it avoids the pitfalls of 99% of religiously-inclined music by being too preachy and irritating. In fact, considering the plagues of Egypt were doing the rounds long before Jesus was said to be born, none of these songs preach at all. In fact, the only mention of God I've heard in this is in Hailstones by the Tiger Lillies, saying simply that 'God is dead'.

Those three words sum up the mood of this compilation wonderfully. It's unrelentingly dark, basically. Even the 80s synth-pop echoing Meaning Of Lice has a very forbidding feel to it. So, it's all very nice and gloomy then, but a word summing up the mood doesn't account for the variety of genres represented here, from the freakish nightmare of Darkness to the ambient Flies, the dark hip-hop of Blood, the neo-soul of Hailstones and so on. I'm gonna sum it up in the tags by calling it art rock and avante-garde though.

I'd be lying if I called this easy on the ear, but it's one of those albums you just need to kinda dive into and lose yourself in. Click the link below, save it for a sober night in on your own and let it do what it does best...

Thursday, 12 August 2010

Alvin Lucier-I Am Sitting In A Room (1970)



Alvin Lucier is an American Avant Garde composer. The man is also a genius. I Am Sitting In A Room is one recording of a few sentences explaining the album, it is played into the room until it becomes distorted and eventually is just a drone sound. The album was obviously pretty influential. Lucier recorded more albums which are also rather interesting but for me this is the best. Music On A Long Thin Wire experiments with what you can do with a single piece of 50 foot wire and a magnet, while Music For Solo Performer revolves around brain waves. I wasn't expecting much when I downloaded this, but I was shocked. This is what Avant Garde music should be like challenging,  interesing and completely original.

At first it's just a normal recording, Mr. Lucier explains the purpose of the experiment and how it works. Gradually the recording gets more distorted as it's played and eventually just becomes an ethereal drone.

I rate this album 5 stars because it's so different, there's not any other albums like this one.

Download it guys, and if you like it support the artist.

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